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The post production industry is chang-ing at a
dramatic pace. With digital cin-ema on the horizon and the move to full
filmresolution digital effects, the film scanner world has changed
dramatically.
SD video is giving way to HD and data. Linear videotape is fast
being repl-aced with HD and data disk systems, and Digital Cinema is
purported to be the next revolutionary stage in the visual
entertainment field. While regular video is still in demand, High
Definition video is already in place, with most all of to-day’s scanner
manufacturers catering for high quality transfers to HD. And while
HDcam and similar are being touted as the future of moving image
acquisition, many remain sceptical. Film remains the ultimate image
capture medium and will remain so as long as scanning techniques |
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Fig 1 Examples, all from original camera
negative, show the results at varying data scan resolutions. |
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